| Home | MEET ME AT ST PANCRAS |
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| NEW LIFE IN OLD RAILWAYS | ||
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| Nineteenth Century
industrialisation frames Twentieth Century technology at
the start of the Twenty First Century. Built to hold town
gas made from coal - and then the North Sea methane that
replaced it - the ornate but decrepit cast iron St
Pancras gas holder remains firmly grounded. The
streamlined jet airliner that soars above it is made of
the latest light metal alloys, powered by liquid fossil
fuel and capable of speeds and distances that would have
astounded our Victorian ancestors. But now the jetliners and their carbon footprints have a rival for the routes to Europe. The railways that once delivered energy rich coal from Midland collieries to St Pancras gas works have been reborn as the 68 mile long High Speed One: linking St Pancras Station - newly upgraded by 1 000 workers at a cost of £ 800 000 000 - with the Channel Tunnel, Paris, Brussels and beyond. The Eurostar trains that run on High Speed One are ten times less damaging to the environment than short haul flights by jet airliners. |
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| 186 mph electric trains have been
running from Waterloo to the Continent since 1994 but High Speed
One now lets the Eurostars abandon the crowded third rail
dc route west of Fawkham Junction and run under 25 000
volt ac overhead catenary from east of Ebbsfleet in a
crescent across north London and the Regent's Canal. The
newly extended and improved St Pancras station was
officially opened by Her Majesty Queen Elizabeth II on
Tuesday 6 November 2007 with the first Eurostar to Paris
Gare du Nord from St Pancras departing on Wednesday 14
November 2007. On the afternoon of Friday 16 November 2007 however, construction work just east of the eastern spire of the 1873 Midland Grand Hotel was far from over. Tower cranes - splashed with silver by the setting Sun - continued in the task of redeveloping the land between St Pancras and the double arch of Kings Cross station. At one point I was the only person in the nearby streets not wearing a fluorescent vest and a builder's helmet! |
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| NEW LIFE IN A CLASSIC STATION | ||
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| Moving west inside the original
243' wide train shed - with the eastern tower of the
frontage now visible in the top left hand part of the
picture - a replica of the original St Pancras clock
marks the northern limit of Sir George Gilbert Scott's
Midland Grand Hotel. Based on a rejected design for a new
Foreign Office building in Whitehall and added to the
station in 1873, the Midland Grand Hotel was turned into
London Midland Railway offices in 1935. Now known as St Pancras Chambers, the red brick edifice played the part of Arkham Asylum in the film "Batman Begins" and in 1997 was the setting for The Spice Girl's "Wannabe" video." The more flamboyant frontage of St Pancras Chambers also stood in for Kings Cross in the Harry Potter films. Part of St Pancras Chambers is set to become a five star Renaissance Marriot hotel by 2010 while the upper floors will house private apartments. In the foreground of the picture a glass wall denies easy access to the centre of William Henry Barlow's arch covered space: the World's largest single span structure when opened in 1868 at a cost of £ 117 000. The roof now contains 18 000 panes of self cleaning glass supported by 9 000 tons of ironwork - now restored to the original sky blue with 20 000 litres of paint after 18 other coats - ranging in hue from oxblood to racing green to yellow - from the intervening 14 decades had been stripped off. |
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| Turning from the south to look north now, the central glass enclosure can be seen running past the 139 year old northern glazed frontage and under a new transparent flat roof designed by Alastair Lansley. Even more radical is the way that St Pancras has now become a two tier station. In addition to the upper level - built high enough to allow Midland Railway trains to pass over the Regents Canal rather than tunnel under it as at Kings Cross next door - the basement has been opened up for the addition of shops and restaurants such as Foyles, La Senza and Yo! Sushi. This area is accessed from outside St Pancras at street level or from the platforms by lift and escalator. However, the 900 original cast iron pillars - spaced with the storage of barrels of Burton Upon Trent beer in mind - have been retained and some of these are visible just right of the builder ( orange jacket ) and police officer ( green jacket ) | ||
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| Moving north again from the last picture, the new hierarchy of trains at St Pancras becomes clear. As well as Brighton-Bedford Thameslink services on the lower level, four or five car Class 222 Meridian diesel electric multiple units are operated by East Midlands Trains ( having supplanted previous franchise holder Midland Mainline on 11 November 2007 ) from gated domestic platforms just under the new flat roof in the north west of the station - while the central glass enclosure stretches out to embrace the full length of the Eurostar emus. However, the longest platform at the new St Pancras is just 1 311 feet long - still short of the 1977 feet 4 inches of Gloucester station. 45 million passengers every year are anticipated at St Pancras while 71 million use Kings Cross St Pancras Underground station - the busiest on the London Underground. | ||
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| Just as at Waterloo International, the Eurostar platforms have to be segregated as passengers have to pass through Customs and Immigration barriers to reach them. From a legal point of view, the area beyond the glass wall is no longer truly British. In practical terms however, although the old Waterloo International photography ban is not applied at St Pancras, there is no readily accessible high level viewpoint inside or immediately outside the station and the glass wall tends to frustrate those using flash! Nevertheless, with the judicious use of Photoshop a pleasing blend of new and old, vertical and horizontal, straight lines and curves can be achieved. Incidentally, the former Waterloo International is expected to be reconfigured for domestic services and operational again by December 2008. | ||
| THE MEETING PLACE | ||
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| At the refurbished St Pancras, the expression "Meet me under the clock" has a new meaning, thanks to the work of Gloucestershire sculptor Paul Day. His four tonne 27' high £ 1 000 000 bronze sculpture "The Meeting Place" was unveiled on Monday 22 October 2007 and evokes the romance of rail travel. | ||
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| Paul Day trained at Cheltenham School of Art, held his first solo exhibition at Cheltenham Museum & Art Gallery and said "St Pancras is the most beautiful and magnificent piece of Victorian engineering and my sculpture is like a cherry on the cake." | ||
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| SUMMONED BY TRAINS | ||
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| Also rightly celebrated at the
refurbished St Pancras is the man who saved the station
from demolition in 1967 - Poet Laureate Sir John
Betjeman. Walking north from The Meeting Place, dark grey
slate roundels set in the floor contain such poetic
fragments as "Imprisoned in a cage of sound, Even the trivial seems profound" and "A gentle guest, a willing host, Affection deeply planted - It's strange those we miss the most, Are those we take for granted" |
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| The bronze statue of Sir John Betjeman ( 1906 - 1984 ) sculpted by Martin Jennings and based on a photograph by Jane Brown meanwhile captures his character perfectly - slightly dishevelled, a little portly in his old age but looking up in wonder at such magnificent Victoriana as St Pancras. | ||
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| The sky blue ironwork was
apparently suggested by William Barlow himself to remind
passengers of the sky. It certainly compliments the rich
red and cream gothic brickwork but only a keen eye in the
right light will be able to see that each roof rib
support is cast with the words THE BUTTERLEY COMPANY
DERBYSHIRE 1867. Ninety years after the construction of
St Pancras, the Butterley Company won fame again among
railway enthusiasts with the construction of Presflo cement wagons for Blue
Circle Cement. However, I personally would have liked to have seen the cast letters picked out in white but perhaps this will be a refinement for the future. For more about St Pancras, click on the picture above. |
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