| Home | THE TELSTAR STORY |
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| As well as the centenary of the birth of both the helicopter and of gas turbine inventor Air Commodore Sir Frank Whittle, 2007 will also mark forty years since the passing of another pioneer with strong Gloucestershire links. | ||
| MEEK BUT NOT MILD | ||
| Joe Meek born Robert Meek
in Newent in 1929 - was the first truly independent
record producer and the first to use excitingly different
recording techniques. Many of his early skills with
electrical gadgets were developed while working with the
Gloucester branch of the Midlands Electricity Board. He
cut his first record in 1954 and was to build his own
studio at 304 Holloway Road, London. Among his catalogue of 1960s chart toppers were "Johnny Remember Me" ( for John Leyton, also a star of such films as "The Great Escape" and "Every Days A Holiday" ), "Have I the right to hold you?" ( for The Honeycombs - a band unusual in having a girl drummer ) and "Just like Eddie" ( for Heinz Burt ). Probably his best known production however was "Telstar" for The Tornados - the first British instrumental record to hit number one in both Britain and the USA. Joe Meek was definitely one of a kind, especially in his approach to recording electronic music hence the affinity he felt with the Telstar communications satellite which inspired him. Even today "Telstar" remains a happy, feelgood tune and like the similar contemporary electric sound of The Shadows - captures the mood of the era when people thought that the World was just getting better all the time with the march of technological progress. After the rationing and deprivation of the War years too, the 1950s and 60s represented an explosion of new possibilities, colour and music. Teenagers, for example, were no longer little copies of their parents but had their own world of formica-tabled coffee bars with jukeboxes playing rock n roll. And although the USA and USSR seemed ever more ready to unleash nuclear war on each other, Britain celebrated the Coronation of a new Queen, independent television and the conquest of both the summit of Mount Everest and the sub four minute mile. |
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| A WIRELESS WORLD? | ||
| Back in 1945, too, the only
vehicles that were going in to space for a few
minutes at least were Nazi V2 rockets - but by
1961 men were going into orbit and coming down safely
again. In 1945, too, Arthur C. Clarke born in
Bishops Lydeard, Somerset wrote an article for
Wireless World magazine entitled "Extra
Terrestrial Relays". This envisioned a network of
three space stations that could pick up, boost and
re-transmit radio signals all around the World. Although he also foresaw these being manned, his idea of placing the stations in geosynchronous orbit ( around 22 000 miles up where the artificial moons would make one orbit every 24 hours in effect standing still over one spot on the Earth ) was the foundation of modern communication satellite practice. In fact if you are reading this on the Internet outside Britain you may well have a communication satellite to thank! Obviously turning ideas into practice is not always easy, but Telstar paved the way with a little help from an earlier satellite named Echo. |
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| REFLECTED GLORY | ||
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Echo 1 |
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| Echo 1 was the first American
experimental passive communications satellite. After
launch from Cape Canaveral on 12 August 1960 it was
inflated in orbit to form a 100 diameter balloon.
The plastic surface was metal covered so as to reflect
radio waves from ground based transmitters to a receiving
Earth station thousands of miles away much as
radio hams today still bounce signals off the ionosphere
or even the Moon. Many successful link ups were made across the World before leakage of gas caused it to deform and lose its reflecting power. Echo was also a highly visible object in the night sky before it re-entered the Earths atmosphere on 24 April 1968. A second aluminiumised Mylar balloon Echo 2 was launched on 25 January 1964. This was 134 across, made of thicker material, and permitted the first collaborative communication satellite programme between Britain and the USSR when signals were bounced from Jodrell Bank founded by Gloucestershire man Sir Bernard Lovell - to Russia. Previously the Cheshire based radio telescope had received signals from Holmdel, New Jersey courtesy of Echo 1, despite its low orbital height of between 800 and 1 000 miles. |
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| THE INVISIBLE FOCUS | ||
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Telstar 1 |
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| Telstar, though, was the true
ancestor of modern communication satellites and was also
the first space vehicle to be owned by a company rather
than a government - in this case AT &T of America -
although it was operated by a consortium including NASA
and the British General Post Office. Weighing 170 lb, the
34.5" diameter vehicle was launched from Cape
Canaveral on 10 July 1962. On 11 July 1962 Alastair Cooke
made the first sound transmission over the new link from
New York and 12 days later for the first direct
television exchange was made between Europe and America.
Starting with an image of the Stars and Stripes flying at
the American earth station at Andover, Maine, and
followed by the sight of the Union Flag flying over
Goonhilly Downs, this only lasted 20 minutes - but a
second link-up involved 50 cameras in 9 European
countries transmitting to North America. In her Christmas
message of 1962, Her Majesty Queen Elizabeth II referred
to Telstar as "the invisible focus of a million
eyes". After a busy life at an orbit of between 593 to 3 503 miles, Telstar became unserviceable during February 1963. A more reliable Telstar 2 was launched on 7 May 1963 to a higher orbit of 604 to 6 713 miles and continued working until May 1965. |
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| THE DISH IN THE STONE | ||
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| Two of the giant receiver dishes at Goonhilly Down, Cornwall | ||
| One of the advantages of relaying
radio and TV signals by satellite was that high frequency
signals could be used. These signals in the 5 MHz
band previously used for radar - were less prone to
fading and interference than medium wave transmissions. However, because the Delta rockets used to launch Telstars 1 and 2 were not powerful enough to put their payloads into geosynchronous orbits, the satellites rose and set like the Moon. Telstar would be visible from Britain for 40 minutes and then invisible again for the next two and a half hours an awkward phenomenon if a televised sporting event went into extra time. Similarly, the ground receiver would have to track a beach ball sized object travelling at 14 000 mph 2 000 miles away to pick up the relatively weak satellite signal. As a result, just before Telstar was launched, the General Post Office ( as it then was ) opened a new ground station at Goonhilly on the Lizard Peninsula in Cornwall. Not only was this the southernmost point in Great Britain maximising the visibility of Telstar but because the granite bedrock made a super stable base for the first open satellite dish in the World. Unlike smaller dishes such as the Distant Early Warning examples at Fylingdales in North Yorkshire which sheltered under plastic domes - Goonhillys dish was 30 metres across, weighed 1 180 tons but could turn a complete circle on railway tracks in three minutes while also moving from horizontal to vertical. Known as Arthur, it mainly stays still nowadays as satellites are truly geostationary, but despite the advent of Sky dishes on many household roofs the big white Cornish structure still handles a vast amount of international data. Not bad considering it was designed in the 1950s to carry one TV signal or 600 phone calls. But not both at the same time! |
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| PRIVYETI MOLNIYA! | ||
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| Molniya 1A | ||
| By the 1970s the Soviet Union had followed the success of Sputnik 1 and Yuri Gagarin with a system of satellite communication which combined the simplicity of Telstar with much of the coverage of a true geosynchronous network. Molniya relayed television, telegraph, weather charts, newspaper facsimilies and multi channel radio services across the many time zones of the then USSR. its orbit was highly elliptical, extending to nearly 25 000 miles in the northern hemisphere and dipping below 310 miles in the southern hemisphere. A network of "Orbita" ground stations allowed people in Siberia, the Far East and Far North to watch Moscow TV and experiments were also carried out with Paris-Moscow link ups. | ||
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This diagram shows three Intelsats ( International Television Satellites ) in equatorial geosynchronous orbit over the Atlantic, Pacific and Indian Oceans while the Soviet Molniya 1A satellite travels at 65 degrees to the equator in an elliptical orbit which maximises its visibility to ground stations in the former Communist bloc. |
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| HIGHER AND FASTER | ||
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From Early Bird's geosynchronous orbit the whole of the Earth is visible as opposed to just the curvature experienced by earlier Echo and Telstar satellites |
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| The first truly geosynchronous communications satellites was Early Bird. This was drum shaped rather than an angular globe like Telstar and was launched from Cape Canaveral on 6 April 1965. On 28 June 1965, from its position 22 300 miles over the Atlantic it began relaying telephone calls stock exchange prices and live TV pictures ( including the launches and recoveries of 2-man NASA Gemini space missions ) between the New World and the Old. Most notably, before being switched off in 1969, it helped arrest a Canadian criminal just like the electric telegraph caught murderer John Tawell in the 1830s and wireless telegraphy apprehended Dr Crippen six decades before. | ||
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| Intelsat 3 | ||
| By then though, Intelsat 2 and 3
were in orbit, the latter having been launched from Cape
Canaveral on 19 December 1968 and starting work on 24
December with a TV broadcast by Pope Paul. Weighing
322lb, Intelsat 3 was one of eight vehicles built by for
the 70 nation International Communication Satellite
Consortium and reached geosynchronous orbit at 22 300
miles - almost a tenth of the distance from the Earth to
the Moon - above the Equator just off the coast of
Brazil. It could handle 1200 telephone conversations or 4
TV channels. In 2006, satellites in geosynchronous orbit allow road vehicles, aircraft and shipping to position themselves to within a few metres of their required locations, news reports and sporting events to be beamed all around the planet, and international mobile telephone calls. On the downside however, placing 9 000 satellites of all kinds around the Earth has generated over 100 000 pieces of space debris. This includes the junk that wrecked the French satellite Cerise and the fleck of paint travelling at 17 500 mph which nearly punched a hole through a Space Shuttle windscreen. Several thousand kilograms of space junk also falls on land each year. |
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| A RECORD SCRATCHED | ||
| Although satellites have just kept
on getting better ever since the days of Telstar, the mid
to late 1960s were not such a good time for Joe Meek.
Amid a deepening personal crisis fuelled by drugs and
cash problems Joe killed his landlady Violet Shenton with
a shotgun he later turned on himself in 1967. He was just
37 years old. For many years one of the few Gloucestershire connections remaining with Meeks sometimes erratic genius was in the name of Telstar Cruisers Ltd, hirers of self drive power boats, based at Riverside Walk Back of Avon in Tewkesbury |
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| BACK IN THE GROOVE | ||
| In 1992 however, plaques were put up at 1 Market Square, Newent, where Joe Meek was born, and 304 Holloway Road, London, where he also stayed and recorded. The Joe Meek Appreciation Society had further reason to celebrate in 2005 when Nick Morans play "Telstar" was staged at the New Ambassadors Theatre in West Street, London. Starring Con ONeill as Joe Meek and Linda Robson ( from BBCTV's "Birds of a Feather") as Violet Shenton, the production even featured on the cover of the Society of London Theatres official fortnightly guide. | ||
| PLAYBACK | ||
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| From 1 July to 30 September 2006 meanwhile, a new exhibition celebrating the life and times of Joe Meek is being staged at Gloucester Folk Museum. This will include Joe Meeks personal photos and possessions, the clavioline which helped to make "Telstar" a number one and the equipment from his studio. It will also reflect the fashion of the time and events in Gloucester during an era of city planning forsaking the old in favour of the new. | ||
| For more information visit | ||
| www.gloucester.gov.uk/folkmuseum | ||
| www.livinggloucester.co.uk |